ACTUAL SIZE

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Covered Cup with Serpent Handle

Freiburg-im-Breisgau 17th Century (cup, cover, probably foot, finial with serpent; Probably Italian 16th Century (stem); Western European 19th Century (mounts), c. 1620/1630 (all but stem and mounts); late 16th century (stem); late 19th century (mounts)

Covered Cup with Serpent Handle by Freiburg-im-Breisgau 17th Century (cup, cover, probably foot, finial with serpent; Probably Italian 16th Century (stem); Western European 19th Century (mounts)
Covered Cup with Serpent Handle by Freiburg-im-Breisgau 17th Century (cup, cover, probably foot, finial with serpent; Probably Italian 16th Century (stem); Western European 19th Century (mounts), 10 cm × 23 cm
1.70 m
Both at true scale.

10 cm × 23 cm

About the size of a sheet of A4. You would need 7 of them to reach a person's height.

Against things you know the size of

This work 23 cm Phone 15 cm A4 sheet 30 cm Person 1.7 m Doorway 2.03 m
Height
23 cm
Width
10 cm
Medium
rock crystal and enameled gold
Kind
Decorative Art
Where the measurement comes from
Measured by the museum. The dimension is the one recorded by the institution that holds the work.
Credit
Widener Collection

Ask this work

Five questions, answered from its own record. What is AGAI?

How big is it?
10 cm × 23 cm. About the size of a sheet of A4. Measured by the museum.
When was it made, and when is it everyone’s?
Made c. 1620/1630 (all but stem and mounts); late 16th century (stem); late 19th century (mounts). It is in the public domain, and National Gallery of Art publishes it for open use.
Whose is it?
Everyone’s to see. It is held by National Gallery of Art: Widener Collection.
How was it made?
Rock crystal and enameled gold.
Who speaks for it?
Its record at National Gallery of Art. Measured by the museum. This gallery adds nothing it cannot cite.

This work is in the reference only. The gallery hangs a selection of the collection at real size.

Walk the gallery Record at National Gallery of Art

Four works a week, shown at their real size

One email. The smallest thing in the collection, the largest, and two that hang well together.

Hangs well beside

Scored on colour, shape, era and scale, the same way the gallery hangs them.